Random ramblings.


Aksh'n Pak 4 Lyfe.

Theo - The bookish, sweet one.

Jimmy - The athletic, gregarious one.

Brett - The hot jock.

Freddy-Fred - The bad boy.

The Gonz - The wacky one.


True And False

I recently read a book called True And False by David Mamet. It's a book about acting. I read it because my awesome girlfriend is into his ideas about acting, and I'm into knowing about what she's into (I think of the great Samuel Jackson scene in Pulp Fiction about being a vegetarian, about 1:50 into this classic clip). So, while I have no real experience with the subject he's writing about, turns out it's a really great book for anyone interested in any sort performance, or craft, or really just living in general. One of many great passages:

"While you are intent on an objective, you do not have to compare your progress to that of your peers, you do not have to worry about a career, you do not have to wonder if you are doing your job, you do not have to be reverent to the script -- you are at work. Not only is it the simple solution to a seemingly complex problem, it is the right solution. Not only is it the right solution, it is the only solution."

Good stuff. One more for good measure:

"...no one cares what you believe, and if you've got a goal to accomplish you'd best set about it. To deny nothing, invent nothing -- accept everything, and get on with it."


Norway, Amy, Us. A Prayer.

While it's fresh in my head, here's an approximation of the prayer I offered this morning at Glide (the awesome, fun, truly inclusive place where I go and sing):

Good morning, Glide.

Thank you, God, for showing us hatred. For showing us that angry and hateful thoughts and words can all too easily lead to deadly violence. Our hearts and prayers are with the families of Norway. Thank you for showing us that hatred has no face, no skin tone, no religion, no political affiliation. Hate simply happens when someone thinks so certainly that they've got it right that they decide it's okay to take away the rights of others. To dehumanize them. To kill them.

Thank you for showing us addiction, how it can destroy people and families. Years ago, I lost my father to addiction. Yesterday, a family in the UK lost their daughter. Our hearts and prayers are with her family and every family experiencing that loss.

Thank you for letting us feel whatever we feel in the face of these tragedies. Fear, sadness, anger. Thank you for letting us know that, in the face of all of this, we really can still choose love.

Thanks for a place like Glide, where we get to gather and go through these things together. Thank you for a place where the only rule is unconditional love and acceptance, for all of us, in all our failures and glories. May you lift our voices today in celebration and praise.

Will everyone who wants to sing and dance and celebrate with me today join me in saying: Amen. Hallelujah. Right On. Shalom. Salaam. Namaste.





The Things We Do For Love

This is some billionaire investor that just left his wife and ran away with his mistress and is jabbering about it on some equivalent of Twitter. While what he did is unquestionably creepy and the whole thing is a surreal train-wreck, I truly love the sentiment of what he's singing (and that he's standing in some pretty place singing it, then posting it on the interwebs). Not sure whether he wrote it or not, but either way, if people actually cherished 'this feeling' more, and in broader contexts than getting laid, we'd all be a lot better off, in every way:

Always facing the whispers of the wind with a heart longing for love
I loathe nothing more than laboring for profane achievements
Who has ever seen mountains of gold and silver last through 10,000 generations?
Throughout the ages, the only precious thing is this feeling.


Now See One Become The Other

As were leaving Glide this morning, after singing and hearing some gorgeous thoughts on all sorts of fatherhood, my daughter turned to me and asked, 'is this a hard day for you, because of your dad?'. She, of course, thinks of me more as her father than as my father's son. I realized that these days, I do too. I make a conscious effort to think of my dad on Father's Day, to acknowledge his absence, feel whatever's there; anger, sadness, love. I am a father now, though. I am the father he never was. I am a looooong way from perfect, and I am also a long way from the scattered, confusing legacy he left. I still miss him all the time, and I've released him with love. What's more, his absence has been soothed by my daughter's presence a million times over. Here's to all sides, and being here now. That's as tough a sport as ever there was. I love it.

Every Mistake - A song written for my daughter
Live in Germany with fellow RockDad Ian Love.
Oh my love, how can I say / The things that you'll see, some perfect way
I could tell stories of infinite roads / Fountains of youth, romantic fables
But instead I'll just say it

You're going to make every mistake, sometimes you're gonna fall flat on your face
So just do it with grace, know that I'll be there
And love you while you make every mistake

My sweetest of ones, you're growing up great / Wide open heart, excellent eyes
You're climbing and trying without even trying
Without even knowing what I can't explain
Like when did I get so scared of dying? / It never seemed real
We really leave here
And stranger still, though it seems sad
I'm trying to show you that something is here,
Something so sweet

You're going to make every mistake, sometimes you're gonna fall flat on your face
So just do it with grace, know that I'll be there
And love you while you make every mistake

Of course I wish you all of the beauty / A love never ending, a life without pain
And when it seems hardest and there's no easy answer / Just try to trust me.

You're going to make every mistake, sometimes you're gonna fall flat on your face
So just do it with grace, know that I'll be there
And love you while you make every mistake


Lost, Then Found - A song for my father
Your daddy was a good man
Had a smile that weighed a ton
There was nothing in that man but life
It's all I hear from everyone
The time I should have been there
To see the hero or the clown
But I don't know, seems like sometimes
Some things are best left lost, then found
He grew up on the ocean and loved the open sea
He must've felt alive out there
Alone and strong and wild and free
Even cold and tired, lost and looking for the ground
He should have figured sometimes
The best things in life are lost, then found
Always say the best is lost, then found
Whatever it is you're going through
The best things in life are coming around
The future's just a worry, the past is just a dream
This isn't my opinion, it's only what I've seen

He grew into a soidier and he fought in many wars
The wars at home and wars with psalms
The forgotten war before Vietnam
And I wonder what it felt like
When they handed him a gun
Wonder if he killed a father, wonder if he killed a son
He tried to be preacher, he sort of almost was
But he couldn't find his place in faith
He fought with teachers and fought with God
He never took it easy, he never settled down
He never realized sometimes
The best things in life are lost, then found

Always say the best is lost, then found
Whatever it is you're going through
The best things in life are coming around
The future's just a worry, the past is just a dream
This isn't my opinion, it's only what I've seen

The plain truth is my father died in jail
I wonder what that room was like
I wonder how his busted body felt
But I'll never get to know those things
Unless I get that far down
I guess that's why they say sometimes
The best things in life are lost, then found

Always say the best is lost, then found
Whatever it is you're going through
The best things in life are coming around
The future's just a worry, the past is just a dream
This isn't my opinion, it's only what I've seen



We are made of words. When we see them in new ways, we see ourselves in new ways too.

I've been thinking about the word 'release'. It's not about losing anything. It's about making a new agreement. The only thing that you really need to let go of when you release something, or someone, is whatever agreement you have. Then you make a new agreement. You re-lease. 

It's not just one of those incidental things, the etymology seems entangled enough. 

I love it when things like this occur to me. 

I am releasing my ideas about release.



Anyone who's ever been angry with me, confused by me, disappointed in me or not taken me seriously: If you read a bio of Neil Young called Shakey (and you should, for so many reasons), try and forgive me and re-see somewhere in there. If you like me and/or the music I've made, still, read it. It's closer to the truth(s) about me, good or bad or ugly, than I may ever get to saying. I'm really happy I didn't find it til now, or else I'd be scared I copied it. I never knew how close I've been to Neil. Thought he was all cool and mellow. As it turns out, working middle class chaotic youth crazy parents broken-home entitled sensitive misfit freakout idealist fearful control freak addict mercurial serious fun intense guy. Superficial differences in time period and place, yes, but eerily similar arc and results. Two main things: 1, I never went as far out as him on just about any level, and 2, I'm not a savant genius, nor anything close. Also, an important 3, as to the time/place: he happened to (nah no accidents, I know, just don't get how that works, did the time period make the Beatles or vice versa or both at once?) exist during the zenith of rock and roll as actual vital cultural force, whereas I witnessed and was lit up by the zenith, but existed as a working artist as it all burned out and faded away. It's my own story, doesn't need to be his nor vice versa, helps me be proud in hindsight at least of the ways it's been in my head and some of the stuff I've made, the ways I've made it, that it's helped some people through. Helps me forgive myself for being such a freak, shooting myself in the foot, hurting some people that maybe really cared about me, that I really tried to care about. But the ideas and ideals and the songs were always the safe bet, for better and worse. Makes me want to work extra hard right now to preserve it properly, and make more. How it works as to working with other people as I keep going (to whatever extent I do, in whatever ways), we'll see. Selfish or sweet, who knows. That word selfish. I'll wrestle with it forever. I have no idea where I'm going now, but it's different for reading this book.


Road Reviews, June 3, 2011

No promises, but perhaps the beginning of a new idea… trying to write about stuff that I find one way or another on the road. Excuse typos and whatevers, just freewriting. Writing less/more/at all does not necessarily indicate better/worse. In fact, none of it is about that. Here's to making stuff and sharing.


Deserts Of Mars - Transmission - http://www.desertsofmars.com - Listened on the flight from Texas to Kentucky.

No one should have jewel cases anymore. Short runs, simple materials. 

Flange. Simple drivers, modest melody. Populist anthem-rock riffery. Retro in an endearing way. Sons of Sabbath, Uncle Hetfield. Stories and local studio glories. Never a bad thing.


Pulling Punches - http://www.facebook.com/pages/Pulling-Punches/111610945516126 - Listened on the flight from Kentucky to California.

Long-ass lame FB address. I'm not writing the MySpace address. MySpace is kinda the jewel case of the internet. Sadly it's sort of the Betamax too; the more interesting technology (for artists especially) steamrolled by the Borg of the internet, Facebook. Anyway. Unhinged rockpunk. Whoa-whoa singalongs, half-time chorus breakdowns. Basement parties with best friends in the front row. Good times. Who knows.



Thursday - No Devolucion - http://www.thursday.net - Listened on the drive from Kingston to Southampton.

Someone gave me a burn of this. No chance of objectivity, know em for years, but truly, sounds neat. Geoff is being all dreamy, sounds great. Snare is a bit puffy, but fits the palate real well. Waves of synth and guitar, smooth and spiky both. Fridmann again, I think? He's so good. They all are. I dunno, hard to say too much, but I wish em well and they deserve your attention and money and trust.


Biffy Clyro - Only Revolution - http://www.biffyclyro.com - Listened on the drive from Kingston to Southampton.

The album titles rhyme, and there's some sort of symmetry. Bias here too, as I've known about Biffy for a while now. They really love Far, have always been quite nice. I'd love to write with them someday, make music one way or another. Admiration. Good on them for keeping going. I hope they're still nice. They're fucking massive now. They seem to have kept their heads musically. Mature without being too safe, rocking without being too self-consciously so. Some bands get defensive about their success, and it fucks up the music as much as when they try to get commercial. Is that horns I hear, and/or strings? Neat. Nice and thick. They seem the be the current UK torch-bearer for the music I grew up making. A tune, wonder if they know em. Weakerthans/Queens/Anthemland. Anthemland isn't a band (but should be), cant' think of a specific worthwhile sonic reference point, but yea, big chorus. A bit much, but I appreciate the trying. They're being math-y and poppy and trying. Good.


A House Cursed - Treasons, Strategems and Spoils - http://www.ahousecursed.com - Listened on the drive from Southampton to Slough.

It's astonishing to me how dextrous metal has become. It's such a strict form, with intros and breaks and structures more like traditional folk arrangements than anything else. The tones are very specific, the phrasing too. It's either Metal or it's not. So the point isn't originality, save for a very few innovators that come along every couple decades. It's as if it's a video game called World Of Metalcraft, where the object is to do increasingly long, complex passages at higher and higher tempos. No sign of songs per se, just a long sustained beating, then the chorus-y rim-shot saccharine sweet break that just seems restless and waiting for the next riff, then back to the mock violence. The other funny thing is the lyrics are often so deliciously emo underneath the bluster. Sensitive, scruffy misfits, too scared to really attempt to express or process the complexity of the sadness/fear/discomfort, so just focusing purely on escapist anger. Understandable, truly. When it's done right, with headlong desperation and abandon, it's very satisfying. As with any music, there's just a feeling when they've got the spirit.


Brandon Cunningham - http://www.facebook.com/pages/Brandon-Cunningham-Music/20689684889 - Listened on the drive from Southampton to Slough.

Does he have a proper website? Every artist should. Look at that crazy URL, and when FB goes away (and it will, just like http://www.myspace.com/brandoncunningham8 did), it'll be all over all over again. Artists, it's ALL part of it. Stay involved and alive.

Okay, the music: Starts out like The Waterboys, first thought, that 'Hole In The Moon' tune or whatever it was. Great tune, great band. Then a wall of voices. Wait, I'm authentically curious and interested right now. This sounds of the post-Sufjan/Arcade species, but not in the way that usually annoys the crap of me. Has a buoyant sincerity that's carrying at least halfway through the first track, which is deceptively impressive. Simple arrangement, well-recorded, very musical drummers, nice synth-y stuff with the strident acoustic guitars. Splashes of War-era U2. Mmm, tasty. Refreshing. Good music is actually nutritious. If I were better at math or science, I'd go about proving such things with equations and double-blind studies.

Hmm, first tune seems to have segued into track 2, which is still nice, but overstaying it's welcome, kind of indulging in it's sweet sound and sentiment. It would be ponderous even for a dramatic last track, and as track 2, it… It knows it's good, and it's peacocking a bit. C'mon, I'm rooting for you. Get out of this rut and back on track. 

Okay. Not back to the majesty of the start, but at least a new tune, a new chance. This makes me want to record in a proper studio, with this engineer, and perhaps these musicians. I'm not sure what we'd do, but it would sound good. Tasteful playing all around. Singer has a bit of gumball-mouth in this one, more prevalent in female singers these days, you know, that 'post-Cat-Power, would-be-old-timey, who's-that-harp-playing-one?' thing. It's the indie version of the tight-jawed grunge growl -- but he's not too bad about it. He has a great natural tone.

Hipster indie pop, in general, is veering dangerously close to John Denver b-sides with bad beards, fashion accidents, banjos, 10+ on stage and lots of reverb. It's really not all that different from nü-country pop. Is anyone calling that out? I don't mind the melody and all, but the desperation for authenticity™ is a bit odd, and it's generally a bit wallpaper-y for me, very self-satisfied.

Anyway, this never made it back to the excitement of the first track. We're into the 6-minute deedle-eedle-eedle Explosions In The Sky build-up bit now. The record seems to be settling into something that still sounds good, but is happy to just do that, isn't reaching too far. Ah well. Almost. Almost is pretty good.

Just listening to the first track again to make sure. It's still pretty great. Whew.


Cast Of Thousands - http://www.castofthousands.net - Listened on the drive from Aberdeen to Leeds.

Burt, right? I feel like that's the name and how to spell it. Been comin to shows for years, and this band name's been in my memory the whole time. Did we ever play together? Feels like it. Oh, the music. You should make the noises you want to make. Feels like they do that. Unapologetically glossy, less about influences than just kind a by-product of all the earnest, romantic radio-rock that's come before, letting it all be there. Classic tenor 80s pop-rock voice; Cutting Crew, Men At Work, groups I can't remember the name of. Vacuum-packed production. None of this is bad thing, per se. I like that it's not self-conscious, I like that it's not hip. What a relief, these days. Doesn't feel like it wants to be famous, either. Just wants to be. Octave-harmonies for that ghostly hi-lo thickening. Ah, there's the post-hardcore angular stuff, like when it would occasionally pop up on Jimmy Eat World records, that one tune about Take Back The Radio and stuff. Some bands aren't meant to be muscular. Not that they can't or anything, not that it sucks. Just drifts back to the harmony, the lush. Not bad places to drift to, instinctively, just what's there, like it's in the muscles.